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      Department of Graphic Design (Turkish)

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      MGT 195 | Course Introduction and Application Information

      Course Name
      Basic Design
      Code
      Semester
      Theory
      (hour/week)
      Application/Lab
      (hour/week)
      Local Credits
      ECTS
      MGT 195
      Fall
      1
      2
      2
      5

      Prerequisites
      None
      Course Language
      Turkish
      Course Type
      Required
      Course Level
      Short Cycle
      Mode of Delivery face to face
      Teaching Methods and Techniques of the Course Application: Experiment / Laboratory / Workshop
      Lecture / Presentation
      National Occupation Classification -
      Course Coordinator -
      Course Lecturer(s)
      • Öğr. Gör. Gülce Yüksel
      Assistant(s) -
      Course Objectives The Fundamentals of Design course aims to teach students basic design principles, such as design principles, visual composition, and color theory. Students will learn to create aesthetic and functional designs by effectively utilizing various design elements.
      Learning Outcomes

      The students who succeeded in this course;

      • Will be able to identify and apply design principles.
      • Will be able to use fundamental elements of visual composition.
      • Will be able to understand and apply principles of color theory and typography.
      • Will be able to create two-dimensional and three-dimensional designs.
      Course Description This course teaches fundamental design principles and application techniques. Students will develop effective and aesthetic designs by utilizing basic elements of design, color theory, and composition. The course will cover design principles, color usage, form, and composition.
      Related Sustainable Development Goals

       



      Course Category

      Core Courses
      Major Area Courses
      X
      Supportive Courses
      Media and Management Skills Courses
      Transferable Skill Courses

       

      WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

      Week Subjects Related Preparation
      1 Basic Design Principles and Concepts Design Basics – David A. Lauer ve Stephen Pentak (ISBN-10, ‎9781285858227)
      2 Form and Composition Bruno Munari: Square Circle Triangle (ISBN: 9781616894122) The Elements of Design: A Practical Guide to the Basics of Design – Gail Greet Hannah (ISBN: 9781568983295)
      3 Drawing and scale Rohde, M. (2013). The sketchnote handbook. Peachpit Press.
      4 Seeing, drawing and scaling Weinschenk, S. (2011). 100 Things Every Designer Needs to Know About People
      5 Learning from nature Structure in Nature is a Strategy For Design, MIT Press: Cambridge, MA. Ferre, A. (ed): (2006)
      6 Evaluation of Studies
      7 The Role of Geometric Abstraction in Visual Communication Visual communication of object concepts at different levels of abstraction, Journal of Vision September 2021, Vol.21, 2951
      8 -
      9 Color theory: Color palettes, wheels, shades, tones, light, value II Color Theory: An Essential Guide to Color-from Basic Principles to Practical Applications – Patti Mollica (ISBN: 9781600583025)
      10 Basic design principles, texture exploration Design Basics – David A. Lauer ve Stephen Pentak (ISBN-10, ‎9781285858227)
      11 Abstraction through texture, rhythm Lauer, D., & Pentak, S. (2011). Design basics. Cengage Learning
      12 Abstraction and texturing The Elements of Graphic Design,Alex W. White, Second Edition (ISBN-10. :1581157622)
      13 Final Project – Stage 01 Presentations and Discussion
      14 Final Project – Stage 02 Presentations and Discussion of the term
      15 Review of the term Visual Grammar – Christian Leborg (ISBN: 9781568985817)
      16 Final Submission

       

      Course Notes/Textbooks

      Design Basics – David A. Lauer ve Stephen Pentak (ISBN-10, ‎9781285858227)
      Bruno Munari: Square Circle Triangle (ISBN: 9781616894122)
      The Elements of Design: A Practical Guide to the Basics of Design – Gail Greet Hannah (ISBN: 9781568983295)
      Weinschenk, S. (2011). 100 Things Every Designer Needs to Know About People
      Rohde, M. (2013). The sketchnote handbook. Peachpit Press.
      Structure in Nature is a Strategy For Design, MIT Press: Cambridge, MA. Ferre, A. (ed): (2006)
      Visual communication of object concepts at different levels of abstraction, Journal of Vision September 2021, Vol.21, 2951
      Color Theory: An Essential Guide to Color-from Basic Principles to Practical Applications – Patti Mollica (ISBN: 9781600583025)
      Design Basics – David A. Lauer ve Stephen Pentak (ISBN-10, ‎9781285858227)
      Lauer, D., & Pentak, S. (2011). Design basics. Cengage Learning
      Gürer, L. ve Gürer, G. (2004). Temel tasarım. İstanbul: Birsen Yayınevi Ltd. Şti.
      The Elements of Graphic Design,Alex W. White, Second Edition (ISBN-10. :1581157622)
      Visual Grammar – Christian Leborg (ISBN: 9781568985817)

      Suggested Readings/Materials

      Gürer, L. ve Gürer, G. (2004). Temel tasarım. İstanbul: Birsen Yayınevi Ltd. Şti. 

      Barnard, M. (2002). Sanat, tasarım ve görsel kültür. Ankara: Ütopya Yayınevi. 

      Becer, E. (2015). İletişim ve grafik tasarım. Ankara: Dost Kitapevi.

      Berger, J. (2014). Görme biçimleri. İstanbul: Metis Yayıncılık Ltd.

      The Anatomy of Type: A Graphic Guide to 100 Typefaces – Stephen Coles (ISBN 10: 0062203126)

       

      EVALUATION SYSTEM

      Semester Activities Number Weigthing
      Participation
      1
      10
      Laboratory / Application
      1
      10
      Field Work
      Quizzes / Studio Critiques
      Portfolio
      Homework / Assignments
      1
      10
      Presentation / Jury
      1
      10
      Project
      1
      30
      Seminar / Workshop
      Oral Exams
      Midterm
      Final Exam
      1
      30
      Total

      Weighting of Semester Activities on the Final Grade
      5
      Weighting of End-of-Semester Activities on the Final Grade
      1
      30
      Total

      ECTS / WORKLOAD TABLE

      Semester Activities Number Duration (Hours) Workload
      Theoretical Course Hours
      (Including exam week: 16 x total hours)
      16
      1
      16
      Laboratory / Application Hours
      (Including exam week: '.16.' x total hours)
      16
      2
      32
      Study Hours Out of Class
      0
      Field Work
      0
      Quizzes / Studio Critiques
      0
      Portfolio
      0
      Homework / Assignments
      1
      15
      15
      Presentation / Jury
      1
      20
      20
      Project
      1
      30
      30
      Seminar / Workshop
      0
      Oral Exam
      0
      Midterms
      0
      Final Exam
      1
      37
      37
          Total
      150

       

      COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

      #
      Program Competencies/Outcomes
      * Contribution Level
      1
      2
      3
      4
      5
      1

      To know problem solving in the field of graphic design, to have an analytical and holistic view

      -
      -
      X
      -
      -
      2

      To constantly renew and improve the knowledge and skills which gained in the field of graphic design. To have the principle of lifelong learning.

      -
      X
      -
      -
      -
      3

      To improve the design skills by analyzing national and international studies and produced design products. To apply these inferences in their own designs.

      X
      -
      -
      -
      -
      4

      Taking responsibility as an individual and as a team member. To work effectively and efficiently in accordance with open minded and collective work.

      X
      -
      -
      -
      -
      5

      To have design awareness and responsibility in their own field. To pass this awareness to all common stakeholders.

      X
      -
      -
      -
      -
      6

      To have a good knowledge of technology in their profession. To try to continuously increase this competence.

      -
      X
      -
      -
      -
      7

      As an individual who has been professionally trained in design and art, to have the desire to raise awareness in these matters and to enlighten his/her environment.

      -
      X
      -
      -
      -
      8

      To be conscious of the contribution of his/her work make to the nation. To reflect the feeling of social belonging to his/her work.

      -
      X
      -
      -
      -
      9

      To become a creative and productive artist/designer candidate.

      -
      X
      -
      -
      -

      *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest


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